Curtia Wright paints change. Her murals vibrate with movement, transformation, and emotional depth, exploring identity, spirit, and the push and pull of human connection. Painting since 16, the Toronto-based artist blends metaphysics, memory, and community in every piece. For her, public art is both a mirror and a conversation—between the space, the people, and the stories that linger in between. Now, she’s starting a conversation in Sudbury.

How did you become an artist?

My mind wandered a lot as a child so I spent the majority of it not necessarily paying attention but rather spending hours drawing in my hand-made sketchbooks. While doing this, I inevitably developed a love for art, which further developed in high school, where I was introduced to street art and have been obsessed ever since. I began painting murals at 16 and became a full-time artist around 24, taking on larger projects each year. Being an artist has its challenges, but my creativity has always been a safe space for me, and it is what keeps me motivated in life. I couldn't live without it!

How does this year’s theme resonate with your work or your life?

I have spent a lot of time thinking about my journey as an artist and the specific events that have shaped the way I view myself and the way I create. This self reflection has allowed me to zero in on how much I've changed as a person, and it’s forced me to sort of zoom outside of myself, taking on a less internal perspective and embracing the external. I’m in a space of a lot of transition this year especially, and I believe my artwork has been reflective of this.

Are there recurring themes in your work?

I’m looking closely at relationship dynamics and their influence on the body—the positive and the negative. My figures are usually in the process of a transition into another form, reflecting on the past or in conflict with another entity. The work I create often explores themes of spirituality, mental health, metaphysics, and identity.

How do your surroundings influence the direction of your murals?

I like to engage with the space I am painting in some way before and while I paint my piece. Whether that be through community engagement (workshops, surveys, casually chatting with locals) or visiting the location in advance and looking at the surroundings; is there any greenery, who will see this piece everyday, and where are they from? How can I create artwork that works in this environment/community? I think it’s important to take into consideration all of these factors when creating an artwork that will inhabit the space for months—years to come.

What do you hope people will feel after seeing your mural?

My goal is that folks walk away from the mural feeling inspired and intrigued.

What’s your process like when approaching a new mural?

I plan everything out and make sure the artwork works in the space to the best of my ability. My work can often be quite loud and vibrant, so I try to work with some repeating colours that already exist in the surroundings to complement the artwork.

Is there a dream project you’d love to pursue in the future?

I feel like every mural festival is like a dream project; I’m surrounded by talented muralists, given creative freedom on my design, and it's an opportunity to paint in a location I've never experienced before! These experiences always shape where I want to go with my work because you are surrounded by experts who give amazing advice and encouragement.

What advice would you give to emerging artists?

Get out there and experiment with different mediums and techniques, reach out to local muralists in your community who you admire, and ask any itching questions you may have about the art form. Don’t be afraid to apply to opportunities that you’ve had on your radar!